April 10, 2014
Johannes Kepler, conceptual noise rock pioneer.
Just sayin’
mackro:

The Most Important Record Of My Life
(This entry is a repost from a blogpost entry I did in 2009.  The record has come back into my life again, thankfully, hence the repost.)
The Harmony Of The World was the first record I ever bought. I was only 8 years old, and the 25 cents my grandfather gave me to buy this record from a neighborhood garage sale in Pacific Palisades, CA circa 1980 wasn’t technically “my” money. However, I had a choice of records, and my pick was made. And I was holding the money to acquire it. The only other hobby that interested me more than music and computers at that age was astronomy. At that moment, there was nothing cooler in life than space and astronomy.
I had zero interest in Star Wars or The Empire Strikes Back (having just been released that year.) Those were just movies. Neither was about real space. Having read several books mainly concentrating on the nine planets and all their discovered satellites at the time, and having my interest in music grow and grow each year, a record about astrononomy was a major score.
I wasted no time putting on this record the moment I got home. I didn’t know what to expect… and what I heard was nothing I would expect.
An 8-year-old doesn’t care how accessible or difficult a song or album is. It’s either cool or it is not cool. Since this was an astronomy record, it was automatically cool. This meant that if I didn’t “get” what I was listening, I was going to force myself to understand why this record was cool, no matter how long it took.
I had no clue what to make of The Harmony Of The World. There’s no singing. There are no voices at all. There are no melodies, and there are no rhythms (to an 8-year-old, that is.) There was a lot of scary humming sounds that went on for a long time. The only fun I could get out of the record was to play around with the speed of playback. 
The giant 70’s wooden monstrosity that was my grandparents’ stereo system had a built-in turntable with four record speeds: 16, 33, 45, and 78. I would often just play around with these four speeds whenever I gave The Harmony Of The World my daily listen. 
It wasn’t until too long that my mother and grandparents asked me to use headphones whenever I played “that” record. They bought me a pair of headphones just for the purpose of saving their sanity from my super cool astronomy record. “Why don’t you listen to other records? You played that one enough already.” They never realized how much they were daring me to play this record longer and longer every time they asked that. How dare they tell me to put away something they knew I loved. I was always overly obsequious to my elders. I never was when it came to The Harmony Of The World.

Two months later, I was giving up. I was growing tired of trying to figure out why The Harmony Of The World existed. Nonetheless, I refused to toss this record aside. Even though I had moved on to more conventional records by Lipps Inc., The Gap Band, Devo, and XTC, I knew I had something special, and always kept it in a special place since.
…
Several years later, thanks to two adventurous 80s radio stations in Los Angeles: commercial station KROQ and college radio station KXLU, my tastes in music had expanded beyond mainstream pop and dance circa 1985. I had no friends from grade 7 to 12, so the radio, the record store, and the cooler magazines at the nearby supermarkets were my only source of music discovery. My family always encouraged me to indulge in music, as it certainly was keeping me out of trouble, so I went record shopping every weekend.
The last summer before I headed out to college at UC Irvine in 1989, I came home and played my Happy Flowers record Oof. I put the needle on the track “I Said I Wanna Watch Cartoons.” Happy Flowers were a Charlottesville, VA duo known for making nauseous sounding noise rock with affected baby screaming and elementary bullying as their vocal delivery. 
My grandparents and my mother ran into the living room and thought I was choking or dying! They found out it was just the record I was playing. “HOW CAN YOU CALL THIS ‘MUSIC’? YOU SPEND ALL YOUR MONEY ON RECORDS, AND THIS IS WHAT YOU BUY? THAT’S DISGUSTING!" 
Somewhere in the middle of my whole family yelling at me, I turned my head. And for the first time in almost 10 years, my eyes landed on the corner of “that” record poking out from the little pocket inside my grandparents’ still functioning 70’s wooden stereo monolith.
I’ve kept and protected The Harmony Of The World ever since. It changed my life. During those two months of stubbornly listening to the record in all possible manners, this process rendered me immune to being turned away by how weird or odd or experimental any music could be. I also realized I wasn’t constrained to how I wanted to hear my records, thanks to playing around with the speeds on my grandparents’ turntable.
The biggest irony, however, is that I finally understood The Harmony Of The World when I played it for the first time in nearly 10 years — and I became extremely disturbed. I quickly calmed down once I realized the benefits I got from this record. Yet, The Harmony Of The World became and has remained the creepiest record I’ve ever heard.
The full title of the record is: The Harmony Of The World: A Realization for the Ear of JOHANNES KEPLER’S Astronomical Data from Harmonices Mundi 1619. It was made by two Yale professors in 1979: Willie Ruff and John Rodgers.
I was just about to post a link to my vinyl rip of this record, as I had yet to see another copy of this record in existence. However — according to Amazon — this record is currently available for purchase. So I will hold back from my original plan to share the album in light of this discovery. I just purchased the CD, and will report back if this CD’s contents differ from the album’s.
Just take this as a recommendation, in case you’re looking for bowel churning drones — and also to get a small slice of what has changed the course of my music tastes and hence my life.
(So this ended my original post.  Now for some postscripts.)
PS: It turns out the version listed on Discogs and available as a CD-R on Amazon is not the version of the record I have!  The general idea and sounds are the same, but the available version only has three tracks.  Mine has five tracks.  More on that in a future post. (FORESHADOWING)
PPS: I only discovered a few months ago that while I knew, since, that this record wasn’t super rare, I had no idea that a sample of the general sound was the intro to a B-52’s single — of all fucking things — “Is That You, Modean?” from Good Stuff. Now,I love the B-52’s (although not a fan of Good Stuff.) But I went through a brief snobbish denial that something so sacred and personal to me had actually been played & ignored several times on MTV in the early 90s and listened to by hundreds of thousands of fans of this group, even if they didn’t know what that was.

Johannes Kepler, conceptual noise rock pioneer.

Just sayin’

mackro:

The Most Important Record Of My Life

(This entry is a repost from a blogpost entry I did in 2009.  The record has come back into my life again, thankfully, hence the repost.)

The Harmony Of The World was the first record I ever bought. I was only 8 years old, and the 25 cents my grandfather gave me to buy this record from a neighborhood garage sale in Pacific Palisades, CA circa 1980 wasn’t technically “my” money. However, I had a choice of records, and my pick was made. And I was holding the money to acquire it. The only other hobby that interested me more than music and computers at that age was astronomy. At that moment, there was nothing cooler in life than space and astronomy.

I had zero interest in Star Wars or The Empire Strikes Back (having just been released that year.) Those were just movies. Neither was about real space. Having read several books mainly concentrating on the nine planets and all their discovered satellites at the time, and having my interest in music grow and grow each year, a record about astrononomy was a major score.

I wasted no time putting on this record the moment I got home. I didn’t know what to expect… and what I heard was nothing I would expect.

An 8-year-old doesn’t care how accessible or difficult a song or album is. It’s either cool or it is not cool. Since this was an astronomy record, it was automatically cool. This meant that if I didn’t “get” what I was listening, I was going to force myself to understand why this record was cool, no matter how long it took.

I had no clue what to make of The Harmony Of The World. There’s no singing. There are no voices at all. There are no melodies, and there are no rhythms (to an 8-year-old, that is.) There was a lot of scary humming sounds that went on for a long time. The only fun I could get out of the record was to play around with the speed of playback. 

The giant 70’s wooden monstrosity that was my grandparents’ stereo system had a built-in turntable with four record speeds: 16, 33, 45, and 78. I would often just play around with these four speeds whenever I gave The Harmony Of The World my daily listen. 

It wasn’t until too long that my mother and grandparents asked me to use headphones whenever I played “that” record. They bought me a pair of headphones just for the purpose of saving their sanity from my super cool astronomy record. “Why don’t you listen to other records? You played that one enough already.” They never realized how much they were daring me to play this record longer and longer every time they asked that. How dare they tell me to put away something they knew I loved. I was always overly obsequious to my elders. I never was when it came to The Harmony Of The World.

Read More

July 20, 2011
Fun fact: Trouvelot, the illustrator behind this (and other, similarly stunning images) is also the fool responsible for introducing the gypsy moth to America. He wanted to spin his own silk (probably, I think, to polish telescope lenses). 
Astronomy hero, ecology demon.

Partial eclipse of the moon. Observed October 24, 1874. (1881-1882)  (via NYPL Digital Gallery)


[via reblololo]

Fun fact: Trouvelot, the illustrator behind this (and other, similarly stunning images) is also the fool responsible for introducing the gypsy moth to America. He wanted to spin his own silk (probably, I think, to polish telescope lenses).

Astronomy hero, ecology demon.

Partial eclipse of the moon. Observed October 24, 1874. (1881-1882)
(via NYPL Digital Gallery)

[via reblololo]

(via keepyourpebbles)

May 31, 2011
this room and everything in it: From Mars

We have some sad news
this morning from Mars
the imagination thinks
in phrases but the universe
is a long sentence
according to our instruments
the oldest songs are
breaking apart
like a puzzle in a basement
every so often
we detect the smell
of marshmallows where
there are none the end
cannot be found
in the middle that’s
a dream someone had
that our lives might
have meaning and not
just pop-up advertisements
but we have sad
news this morning
the dream has no
location or direction
and friends separated
by thousands of miles
are thinking of each
other simultaneously
but they have no idea
and we have no way
to reach them

Matthew Rohrer

(Source: versedaily.org, via keepyourpebbles)

September 15, 2010
Moon, Stars, Birds, Venus. APOD.

(from keepyourpebbles)

Moon, Stars, Birds, Venus. APOD.

(from keepyourpebbles)

August 30, 2010
Jack Horkheimer, you will be missed.

He wrote his own epitaph:

“‘Keep Looking Up’ was my life’s admonition; I can do little else in my present position.”

5:25pm  |   URL: http://tmblr.co/ZBp-SyzwAre
Filed under: astronomy requiem 
August 25, 2010
oldbookillustrations:

The land of illusion.

Ephraim Mose Lilien, from The new art of an ancient people; the work of Ephraim Mose Lilien, by M. S. Levussove, New York, 1906.
Via archive.org.

oldbookillustrations:

The land of illusion.

Ephraim Mose Lilien, from The new art of an ancient people; the work of Ephraim Mose Lilien, by M. S. Levussove, New York, 1906.
Via archive.org.

7:58pm  |   URL: http://tmblr.co/ZBp-SyyHyJT
  
Filed under: astronomy Magic 
July 25, 2010

Regiomontanus, Joannes: Kalendarium. Venetiis (Venice): Erhardus  Ratdolt, 1482. Folio 28v, an instrument with volvelles, or paper wheels,  which can be manipulated to show the motion of the moon. Sp Coll  BD7-f.13 (item 1 of 4 bound together).
by University of Glasgow Library


[from keepyourpebbles, via yama-bato]

Regiomontanus, Joannes: Kalendarium. Venetiis (Venice): Erhardus Ratdolt, 1482. Folio 28v, an instrument with volvelles, or paper wheels, which can be manipulated to show the motion of the moon. Sp Coll BD7-f.13 (item 1 of 4 bound together).

by University of Glasgow Library

[from keepyourpebbles, via yama-bato]

July 16, 2010

- John Roderick, “Galaxy’s End.” Live at the the Triple Door, 8 Jul 2010.

Apparently, he has a secret store of doomed astronaut songs.

July 14, 2010
keepyourpebbles:

“The Star Festival: Love of the Sky,” by Aya Kato.

There’s a beautiful story connected with this image, which is retold every year on the seventh day of the seventh lunar month. This year, that festival falls on August 16.

It’s also the legend that provided the name for the first book of The Chronicles of Master Li and Number Ten Ox, called Bridge of Birds. (Highly recommended.)

keepyourpebbles:

“The Star Festival: Love of the Sky,” by Aya Kato.

There’s a beautiful story connected with this image, which is retold every year on the seventh day of the seventh lunar month. This year, that festival falls on August 16.

It’s also the legend that provided the name for the first book of The Chronicles of Master Li and Number Ten Ox, called Bridge of Birds. (Highly recommended.)

June 18, 2010
keepyourpebbles:

ontheborderland:

“In November 1799 this meteor shower was observed at full moon off the coast of Florida by Andrew Ellicott. He wrote: In every instant the meteors were as  numerous as  the stars. The storm of the Leonids of 1799 was a key event with the discovery of the 33 years lasting period of the Leonids.  This illustration appeared 1872 in the book The Midnight Sky by Edward Dunkin.”
(Image via NASA, caption source; courtesy of Mme. Ghoul, who has ever been a true friend to me.)

keepyourpebbles:

ontheborderland:

“In November 1799 this meteor shower was observed at full moon off the coast of Florida by Andrew Ellicott. He wrote: In every instant the meteors were as numerous as the stars. The storm of the Leonids of 1799 was a key event with the discovery of the 33 years lasting period of the Leonids. This illustration appeared 1872 in the book The Midnight Sky by Edward Dunkin.”

(Image via NASA, caption source; courtesy of Mme. Ghoul, who has ever been a true friend to me.)

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