September 4, 2014
1980 propaganda poster, “Love science, study science, use science.”
Source: Digital Poster Collection [via orientallyyours]

1980 propaganda poster, “Love science, study science, use science.”

Source: Digital Poster Collection [via orientallyyours]

September 3, 2014


Everything—absolutely everything—is illuminated. Goll-lee.

grantimatter, we need to do something about this.

"To burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life." - Walter Pater

August 25, 2014

Tonino: What exactly do you mean by “wild”?
Turner: I mean something that is self-willed, autonomous, self-organized. Basically it’s the opposite of controlled.

You can see wildness in the movement of glaciers, or you can track it in star-forming regions in the Orion Nebula. Wildness is everywhere. It starts with microscopic particles, and it goes more than 13 billion light-years into the cosmos. It’s in the soil and in the air, it’s on our hands, it’s in our immune systems, it’s in our lungs — where there are two thousand bacteria per square centimeter! In a certain respect, much of what we consider us is in fact not us. We breathe, and wildness comes in. We don’t control it.

Tonino: You’ve called wildness “an endangered experience.”
What do you mean by that? If we’re steeped in wildness, is it just a matter of perception?

Turner: It has to do with scale. On one scale you’ve got the Orion Nebula, which is twenty-six light-years across and two thousand times the mass of the sun. At the other extreme is the scale of quantum physics and subatomic particles, zooplankton and proteins. The scale that Henry David Thoreau and the American conservation movement focus on is that of voles and coral reefs and redwoods and whales. We’re particularly interested in wildness at that scale — and for good reason — but that scale doesn’t include all wildness. And here’s the problem: nowadays very few people directly experience voles, coral reefs, redwoods, and whales. You can live in San Francisco, ride a Google bus to work, stare at a screen, come home, stare at a screen, repeat, repeat, repeat. I’ve asked my environmental-studies students how much time each day, on average, they spend in contact with raw wild nature. Thirty minutes, they say. And what are they doing then? Walking between classes. They’ve told me they look at a screen eight to twelve hours a day, on average. These kids have not spent much time hiking in remote areas. They don’t have much personal experience with wild creatures. They also don’t have much experience with isolation. These days parents can hardly get their children to participate in an outdoor program, such as a backpacking trip, because it will cut them off from Facebook for two weeks.


— Jack Turner, Chinese philosophy scholar and backwoodsman, interviewed in The Sun.

August 15, 2014

Why is the “hoarder” so loathed by the Apple authorities?

Because she is feared.

The hoarder has “things” after all, items like books and records that are clues to a past when things were stores of knowledge, signifiers, totems of meaning. The cyber lords want it all destroyed. The library must be cleaned of nasty old books and filled with computers. The record collector must renounce his or her albums and replace them with an iPod.


— Ian Svenonius believes in a pack rat revolution.

August 12, 2014
Miami Icons: Opa-locka City Hall, an Arabesque Dream in the Face of Urban Decay

Created by an aviation pioneer, you know.

(Source: oldflorida)

August 8, 2014
"The world isn’t being destroyed by democrats or republicans, red or blue, liberal or conservative, religious or atheist — the world is being destroyed by one side believing the other side is destroying the world."

— Mr. Andrew WK explains things as they are.

July 28, 2014


A selection of art from Stewart Cowley’s Spacecraft, 2000-2100 A.D.: Terran Trade Authority Handbook, 1978. Artists featured include Angus McKie, Jim Burns, and Colin Hay.

via || Buy the book

God, I remember this book. I was just thinking about it last week. I’d pine over it in the bookshop. The yellow ships on the cover, they had guns angled 45 degrees down so they could dive at a ship and then fire as they were pulling up.

(via the-entropy-dango)

July 23, 2014

Minecraft-the-game, maintained in Sweden by Persson’s small studio, is just the seed, or maybe the soil. The true Minecraft (no italics, for we are speaking of something larger now) is the game plus the sprawling network of tutorials, wikis, galleries, videos—seriously, search for “minecraft” on YouTube and be amazed—mods, forum threads, and more. The true Minecraft is the oral tradition: secrets and rumors shared in chat rooms, across cafeteria tables, between block-faced players inside the game itself.

The true Minecraft is the books.


— Robin Sloan on the secret of Minecraft, its links to medieval magick and why my 9-year-old’s favorite TV show is now a YouTube channel narrated by what sounds like an absolutely obsessed adolescent gamer who does epic and in-SANE things with square-headed zombies and a horribly animated Godzilla.

July 18, 2014
The Batgirl Design Process



The new Batgirl design has been often credited to Cameron Stewart OR Babs Tarr but rarely to the both of them. The design process was in fact a collaboration with both artists contributing to the final design.

Cameron: When DC first approached me about taking over Batgirl as…

How looks happen.

July 14, 2014
And most dangerous things



*Most* dangerous things.

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